Review: Unknown: Cosmic Time Machine
by Jeff Foust
Monday, July 31, 2023
Unknown: Cosmic Time Machine
directed by Shai Gal
Netflix, 2023
64 minutes, TV-14
It’s been more than a year since the release of the first science images from the James Webb Space Telescope, demonstrating that the $10 billion spacecraft has met, if not exceeded, the expectations of astronomers who waited decades to use it. The 12 months that followed have only reinforced those conclusions as the telescope has trained its mirror on the distance universe and worlds in our solar system, generating a cascade of discoveries with only a few minor technical glitches.
With those successes, it can be easy to forget about its significant technical challenges as well as its major cost and schedule overruns. The new documentary Unknown: Cosmic Time Machine, which recently debuted on Netflix, provides a succinct summary of the issues faced building JWST and the science that made those struggles worthwhile.
For those already familiar with the development of JWST, what makes the documentary worthwhile is that it provides some behind-the-scenes perspectives both before and after the spacecraft’s launch. We follow Thomas Zurbuchen, NASA’s associate administrator for science, in French Guiana for the launch, including preparing two post-launch speeches: one for a successful launch and one for a failure.
“I have often thought of Webb as the Apollo of science. It is a super-hard thing that is almost impossible,” Zurbuchen says. But what makes it super-hard was not the launch but all the critical steps during its post-launch deployment of its sunshield, mirror, and other elements. A theme of the documentary is that seemingly overwhelming number of single-point failures for JWST: 344 in total, most associated with those various deployments.
Those fall on the shoulders of lead engineer Mike Menzel, who had worked on JWST for 24 years. “He’s not sleeping well at night. All these single-point failure things that could go wrong, you do worry about those,” his wife says in a conversation at their home.
“Damn right I do,” he responds.
| “I have often thought of Webb as the Apollo of science. It is a super-hard thing that is almost impossible,” Zurbuchen says in the film. |
The documentary covers some of the development of JWST, dating back to a late 1990s speech by then-administrator Dan Goldin talking up the potential of what was called at the time the Next Generation Space Telescope (then slated to launch in 2007 for a cost of $500 million.) The documentary goes through the cost and schedule overruns and some of the technical challenges, including those late in its development, when sunshield fasteners came loose in acoustic testing.
In an interview in the documentary, Zurbuchen’s frustrations with JWST’s problems at that stage of development are clear. “The fasteners were not locked. How can that be?” he says. “People are making more mistakes than they should. It’s embarrassing.” But, he noted, the team did turn it around, which became clear when engineers mated the two parts of JWST, mirror assembly and sunshield, successfully on the first time.
The drama that is built up in the development of JWST is released through its successful post-launch deployments, which the documentary follows from JWST’s mission control, and the imagery that follows. The film takes us to NASA headquarters, where Zubuchen and astronomers brief NASA administrator Bill Nelson on the first images, including the “deep field” that will be unveiled at a White House event. (Nelson’s first reaction: “Wow. Wow.”)
“It’s overwhelming,” says astronomer Amber Straughn of JWST and its first images. “It’s such a good example of what we humans can do when we work together for something good.”
Unknown: Cosmic Time Machine is one of the first documentaries on JWST, but not the last. At an event at the National Academies earlier this month to mark the first anniversary of those first science images, director Nathaniel Kahn discussed an IMAX documentary set to premiere in October, narrated by actress Michelle Williams.
He suggested that movie will focus on the telescope’s images: “It has to be on an IMAX screen because only that giant screen is making you fully immersed in these worlds.” (No word if the movie, like Christopher Nolan’s Oppenheimer, will be best viewed on the rare 70mm IMAX.) “To see these things in IMAX, just wait, it really is extraordinary.” But even on the smaller Netflix screen, it’s clear JWST has turned out to be extraordinary.
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